Concert Review: Ari Hest

Ari Hest came to Pittsburgh Wednesday night to kick off his Sunset Over Hope Street tour.  The new Sunset Over Hope Street CD released only a day earlier. Ari Hest performed 16 songs, plus a 2 song encore in about a 1 hour and 25 minute set.  It was funny to hear Mr. Hest refer to songs in his catalog that were less than 10 years old as an “oldie”.  The new songs were just that, new to him and the audience, as his CD was just officially released the day before.  His third song in was the title track of the CD Sunset Over Hope Street.  We were also treated to such new songs as:  Until Next Time (technically an oldie from 2008 when Mr. Hest wrote and recorded a song once a week for 52 weeks, releasing them on his website to his fans on each Monday that year, leading to the 2009 release of Twelve Mondays) which got new treatment; A Good Look Around; One Track Mind (Mr. Hest played the solo version); Swan Song and as part of the encore an acoustic version of Business of America (a very timely song which has the memorable line “Oh that’s the system at work, Everybody’s a jerk”). The “oldies” included:  Reason to Believe, Morning Streets, The Weight, Anne Marie (a song about an old ex-girlfriend that he loves to sing), When and If, Ride the Break (Mr. Hest substituted his current touring vehicle a Ford Explorer for the Honda Civic and substituted Pittsburgh for St. Louis but just couldn’t find something to rhyme with Pittsburgh), Bird Never Flies (the audience was invited to sing along on the lines “I won’t give you up, bird never flies”), the wicked I’ll Be There; Cranberry Lake (he invited an audience member to come up and sing with him and Karen did a great job!) and ending the set with probably one of his best known songs Dead End Driving.  The final song of the evening was inspired by Norah Jones I’ve Got You; which highlighted Mr. Hest’s vocal range. Mr. Hest was joined on stage by the very talented Doug Yowell on drums and percussion.  I was probably watching Mt. Yowell more than Mr. Hest (who was alternating between guitar and keyboards).  Mr. Yowell was doing amazing things, including looping the music while providing sweet backing vocals.  The duo managed to sound almost like a whole band, thanks to Mr. Yowell’s magic. The set was fresh.  Mr. Hest was engaging, sharing stories about his songs old and new.  This was not just a dress rehearsal the first night out in front of a live audience.  The new material really was combined well with the more familiar older tunes. I read a review on line of Sunset Over Hope Street, in which Mr. Hest’s voice was compared to Springsteen and Marc Cohn.  When I told the woman next to me at the show that I had a copy of Sunset Over Hope Street; her first question was whether it sounded like Twelve Mondays or Mr. Hest’s older material.  My response was that it sounds like a better Ari Hest.  I’ve never fully understood the comparisons of Mr. Hest to other artists.  He writes well constructed mid-tempo songs about his life experiences.  He has a dry sense of humor that is reflected in the ironic twists his lyrics sometime take (“I’ll be there to make you miserable”).  Twelve Mondays was my favorite CD of 2009.  I believe Sunset Over Hope Street will make my best of 2011 list; maybe even find itself on the top spot.  We still have 10 months worth of new releases to look forward to this year. Opening was singer-songwriter Ali Klaren.  She is a transplanted Pittsburgher.  She plays guitar and was joined on stage for a few songs by Miguel Hernandez.  He’s a lefty who played flamenco guitar solos that garnered appreciative applause from the audience.  Ms. Klaren’s 6-song 30-minute set included:  Fall, Closer and Blood of Everyone, which highlighted Mr. Hernandez on guitar. Barb S. - Sunday Mix Host