Barb S. - Sunday Mix Host
Allen Klein, the brash music mogul whose five-decade career included stints as the business manager for the Beatles and the Rolling Stones, died Saturday in New York. He was 77. Klein died after a lengthy battle with Alzheimer's disease, according to Bob Merlis, a spokesman for Klein's ABKCO Music & Records. The independent label owns or controls the rights to music by the Rolling Stones, Sam Cooke, the Animals, the Kinks, Chubby Checker and Bobby Womack, among others.John Lennon once called Klein "the only businessman I've met who isn't gray right though his eyes to his soul." George Harrison concurred in a way, saying "Because we were all from Liverpool, we favored people who were street people." Klein co-produced Harrison's Concert for Bangladesh with the Beatles guitarist. Klein also co-produced a 1971 movie, Blindman, which featured Ringo Starr) Klein's hardnosed tactics, however, managed to alienate himself from his clients in a haze of acrimony. The Rolling Stones fired him as manager in 1970, sparking lawsuits back and forth. Lennon was Klein's major champion within The Beatles, but by 1974, Lennon was so disenchanted with Klein that he unleashed his trademark vicious wit on Klein in the song "Steel and Glass." Watch Klein's persona satirized in The Rutles' All You Need Is Cash parody (and note that one of the henchmen to the Klein character, Ron Decline--played by John Belushi--is new Senator Al Franken):
The fans were singing, clapping and dancing along to their favorite Indigo Girls songs Sunday night. They were more than receptive to the songs from their new album “Poseidon and the Bitter Bug” – which was good, since Amy Ray and Emily Saliers performed almost all of the tracks from their new disc (just released in March). Amy and Emily started off the show with two new songs and interspersed the new material with the older more familiar tunes during a solid 90 minute plus set, and a two song encore. Nearly two dozen songs, with the new material seamlessly intertwined among the fan favorites. Included were some of the songs that you can find on WYEP’s 913 Essential Songs Countdown: “Power of Two”, “Galileo” (final song of the evening) and the #1 essential song “Closer to Fine” which brought David Ryan Harris back up on stage to join the Indigo Girls on a verse or two. Amy shined solo on “Romeo & Juliet”. Julie Wolf accompanied the Indigo Girls on stage playing electric keyboards and accordion and providing backing vocals.
Over the years, The Indigo Girls have made lot of friends in the music business; many of whom have said Amy & Emily have influenced them in their own careers. Opening the show this evening was one of their friends (originally from Atlanta), singer-songwriter David Ryan Harris (DRH). DRH sat in a metal folding chair while playing his guitar. Most musicians I’ve seen prefer to stand. The crowd was still filing in, but when DRH started doing an extended falsetto during his opening song “If I Had a Dime” he immediately captured the audience. During his tune “Pretty Girl”, DRH weaved snippets of songs by the likes of Prince and John Mayer among others into the mix. DRH played nearly a 50-minute set, with 8 songs (including a cover of “Uptight”).
Barb S. - Sunday Mix Host
Singer-Songwriter Ari Hest opened for The Clarks June 13th. Hest brought his band, performing for nearly an hour, just a few days prior to his 30th birthday (June 16th). Hest mentioned he would be back in Pittsburgh this fall. This interview was conducted prior to that concert.
Barb WYEP's Sunday Mix Host (WYEP): Hi Ari! Thanks for taking the time to respond to some questions via email for the WYEP Music Blog!
WYEP: You were in Pittsburgh in March at Club Café, out on the road promoting your newly self released CD “Twelve Mondays”. How did the tour go? Have you reached a comfort level yet with the songs?
AH: The tour was one of the best I've had in a long time. I hadn't been out with a band in a couple of years. I almost forgot how much fun that can be. The long drives from city to city don't seem as long when you're in the right environment. My only regret is that we didn't stay out longer. I think musically we were getting better and better with each show and unfortunately it had to end right when things were really going well. The crowds were great and I was pleasantly surprised at their knowledge of songs from 52, some of which i hadn't played live before we left.
WYEP: Please tell us more about the ‘52’ Project that you embarked on during 2008 which led up to the recording of “Twelve Mondays”. It was quite an ambitious project to write, record, produce and release one new song per week, for 52 weeks in a row and have your fans vote for those that would end up on “Twelve Mondays”.
AH: After leaving Columbia Records I knew I had to do something unique to stick out among the droves of singer/songwriters out there. I've always written a lot of music in my career but was never able to release it as quickly as i would've liked. An album every two years just didn't work for me. When i came up with the idea, i realized it was gonna be very difficult, but something about the challenge appealed to me. So for every monday of 2008, I recorded a new song and released in to subscribers to 52. For $20, anyone was able to get access to these songs as well as comment on them on the website built by my management. Earlier this year the subscribers voted on their favorite 12 songs and those songs appeared on "Twelve Mondays" remixed and, in some cases, re-recorded.
WYEP: You wanted artistic control over your music, so do you have a new sense of freedom now? Will you continue to self-release future recordings?
AH: Definitely. I love the control as I am a control freak. As far as future recordings go, i'm open to seeing what's out there, but right now this system works for me and i have no intention of changing it up.
WYEP:You were on the inaugural Cayamo songwriters cruise in 2008, any chance you will return as a performer in 2010?
AH: I really hope so. I had such a great time in 2008 and was bummed to miss last year's trip. What a great idea that boat is. It's the perfect vacation for music lovers. I wish it were up to me but I know the powers that be want to give some other musicians a chance to play as well, so we'll see.
WYEP: Your next record is being produced by Alex Wong, who co-produced and arranged Vienna Teng’s most recent release “ Inland Territory ”. When can we expect to hear some tracks from this effort? Also how do you have anything left to write about after the ‘52’ Project? You will also be doing some shows with Vienna Teng this summer, will this open up the chance for some collaboration on stage?
AH: The time schedule has not been worked out yet but all i can say is I am truly excited and challenged to be working with such a talented musician as Alex. Vienna and I had our first show together last week and sang a bit on each other's material which was a treat. She's also a tremendous musician that I'm honored to play with each time.
WYEP: The Amphitheatre at Station Square is situated along the Mon River and some railroad tracks. Well, sometimes trains go by during a performance. Do you have any songs to sing about trains?
AH: "Dead End Driving"? "Ride The Brake"? Not exactly train songs but some of the lyrics fit. "The Weight" has a train beat, so hopefully the train will come by while we're playing that one.
WYEP: I’ve always wanted to ask a singer-songwriter what it was like to record someone else’s song, especially when it was a hit for the other artist. You do this amazing version of Fleetwood Mac’s “Little Lies “ on “The Green Room Sessions EP”. How did you choose that particular song to cover? It really suits your style.
AH: I didn't plan on it. I happened to hear "Little Lies" earlier that day on the radio and thought it might sound cool given a darker musical mood. It also happened to be around the time I began to do some home recording. Fleetwood Mac is a big influence. I learned to play guitar right around the time "The Dance" came out and it got me to listen to a lot of their previous albums. Incredible songwriters.
WYEP: Thanks for your time!
AH: You got it Barb, thank you again!
Ari Hest belting out his last song 06.13.09 at The Ampitheatre at Station Square:
"Twelve Mondays" - A CD review: http://musicblog.wyep.org/2009/03/27/%e2%80%9ctwelve-mondays%e2%80%9d-%e2%80%93-a-cd-review/
03.17.09 Ari Hest concert review: http://musicblog.wyep.org/2009/03/17/ari-hest/
Barb S. - Sunday Mix Host