June 1, 2012 by [email protected]
This Sunday on the Bluegrass Jam Session (8-10pm, June 3), join host Bruce Mountjoy for his tribute to Doc Watson, who passed away this past week. Bruce will be playing music spanning the remarkable career of Watson throughout the show. Streaming live at wyep.org.
Tags:
Posted in
May 30, 2012 by [email protected]
If you’re a fan of the Block Party (weeknights from 8pm-12am EST) on 91.3fm, each month we feature one of the artists featured on the Block Party as an Album of the Month with a New or Renewing Membership to WYEP. The Block Party Featured Album is available in CD format for a $60 donation to WYEP or on vinyl for your gift of $75. June''s Block Party Featured Album of the Month is Blunderbuss by Jack White. Become a WYEP Member at wyep.org and grab a copy as your thank you gift this month.

Blunderbuss review by WYEP Block Party Host Andy Cook: What happens when someone like Jack White finds himself without a band?  This is a pretty interesting question. The guy has been in bands, usually multiple ones simultaneously, for about two decades now.  A lot of highly talented charismatic musicians would have wanted to go solo a long time ago, but it seems to not come so naturally with Mr. White.  He clearly must love something about being in a band.  Is it the camaraderie?  Is it that, to at least some small degree, he can then share the limelight?  It would seem at first glance that this solo thing doesn’t sit well with him.  Even in a recent New York Times profile he admitted that if it were up to him he would still be going full steam ahead with The White Stripes.  He seems a little hurt and confused that Meg, his former bandmate, doesn’t share in this desire any longer.  Therefore, it seems this solo thing might at least partially be out of necessity.  If it’s any consolation, Jack, it seems that you are extremely good at it. Yes, the combination of his recent divorce from Karen Elson and the current distance between Meg White and himself is all over this release.  Right from the first track, “Missing Pieces”, he details losing appendages and feeling lost. “Sometimes someone controls everything about you/ …they’ll take pieces of you / And they’ll stand above you and walk away”. The song “Love Interruption” has a refrain that almost works as a mantra. “I won’t let love disrupt, corrupt, or interrupt me”. It seems White’s determined to enjoy love, but no longer let it leave him emotionally destroyed. Please do not think that this release is a real downer, though.  Jack White seems to be fully aware that you can sing about pain while matching it with upbeat melodies.  “Hip (Eponymous) Poor Boy”, seems to lyrically have some  incredibly harsh bite, but musically is about the most pleasant and happy thing he’s ever done.   It all adds up to some of the strongest songwriting we have yet to experience from White. White is easily one of the most intriguing and compelling rock stars so far this century.  One might say that it’s an easy label to achieve with the lack of true rock stars these days.  Anymore we find potential specimens, dissect them, swallow them, and almost always cast them aside within a few months.  However, it seems White keeps sticking around.  This is not an accident.  It’s because he keeps giving us something slightly different to examine. Pick up a copy of Blunderbuss by Jack White with your Membership today at wyep.org.
Tags:
Posted in
May 30, 2012 by [email protected]

Every Wednesday at 9:13 am, one of Pittsburgh's finest music writers joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Scott Tady of The Beaver County Times. In case you missed it here's what he played (with commentary by Scott): The Ready Stance, "Rancho Christo" - I'm digging the urgency and hooks on this rookie effort from a Kentucky/suburban-Cincinnati band that's mining the rockier side of Americana. The Riverboat Gamblers, "Bite My Tongue" - They gave the best performance at the 2010 Warped Tour, and these Texas rockers, with punk energy, released last week one of the most exhilarating albums so far this year. The single is "Comedian" but here's a deeper cut to give you a fuller scope of the band's confident and compelling songwriting.
May 23, 2012 by [email protected]

Every Wednesday at 9:13 am, one of Pittsburgh's finest music writers joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Justin Jacobs (talking to us from Isreal via Skype!), contributing writer to Billboard & Relix Magazine. In case you missed it here's what he played with commentary by Justin: of Montreal, "Dour Percentage" - Kevin Barnes and company put on a wild show in Tel Aviv a few weeks back — complete with dancing pigs, folks in white sheets, lots of colors and dancing and whatnot. of Montreal's new album, Paralytic Stalks, is a darker take on the band's psychedelic weirdo-pop, and this song captures the band at its best. I liken the band on record to David Bowie: really funky and wild, but in a buttoned-up way. But live, the buttons come off, and so do most of the clothing. Balkan Beat Box, "Part of the Glory" - One of Israel's best exports, these guys make Middle Eastern pop music (not what you're thinking) that could play in any Western club, with saxophone lines cutting through spicy, dusty chants and tons of start-stop beats that make you wanna move. I think pop radio would be a better place if bands like this got some play. Extra bonus! Liars, "No. 1 Against the Rush" - Liars are back! Everyone's favorite endlessly-creepy freak-out rockers are going to drop their sixth album, WIXIW, in a few weeks, and this electronic, churning cut is a great teaser. This summer's going to get weird!
May 16, 2012 by [email protected]

Every Wednesday at 9:13 am, one of Pittsburgh's finest music writers joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Scott Mervis of The Pittsburgh Post-Gazette. In case you missed it here's what he played with commentary by Scott: Triggers, "In the Offing" - On its first album in four years -- it got tripped up by some label issues -- the Pittsburgh band gets a nice sonic sheen in an LA studio with producer Dave Trumfio (Wilco, Built to Spill). The resulting album, "Forcing A Smile," draws again on long-running influences, ranging from the Beatles to Elvis Costello to Weezer. This one is on the easy-flowing countrified side. Joey Ramone, "I Couldn't Sleep" - This Jerry Lee Lewis-style rocker comes from "Ya Know?," a second posthumous solo album from the lead Ramone. The whole things was pieced together from demo vocals by adoring musicians, including Steve Van Zandt and Joan Jett. Clearly, it isn't Joey Ramone at his best, but it's great to hear his voice again, and if this gets people to pull out their Ramones albums, it's done the trick.
May 14, 2012 by [email protected]

... in Washington County where the reception isn’t quite what you’d hope for as there’s some interference from a local lower power station.

Here’s how we fixed that problem.  By way of explanation, my buddy Scott and I are both retired. Between us we have probably 55 years of WYEP support and membership. And we both volunteer at the Pennsylvania Trolley Museum where we work on the signals and wiring, including the 600-volt wire that supplies electricity to the antique trolley cars.

Our “shop” is in the southwest corner of a steel frame, metal clad building. The WYEP transmitter, in the best tradition of Murphy’s Law, is located far to the northeast. So not only do we have interference from the solar panels and various voltages in and around the building, the building itself blocks the radio signal. Necessity being the mother of invention, we built an old-fashioned folded dipole antenna using the flat twin conductor wire that was once popular when TV antennas were the norm rather than cable and other digital media.  (For those of you who don’t recall this technology, you could get decent reception of local channels with an aluminum antenna on the top of the house, or with “rabbit ears” or by taking a piece of twin lead, and shaping it into a “T.” The stem of the “T” is wired into the center of the top arm, then into the FM receiver or TV set. With a little judicious fiddling, you’d get reception – of some kind!) A quick on-line search revealed that for the lower FM bands – which includes WYEP – the top arm of the antenna needed to be 61.5 inches long for optimum reception. So after ordering the wire from a local chain electronics supply store, and procuring some ¾” inch plastic conduit and fittings, we soon had our own “T” with a 61.5” long top arm and a stem about 8 feet tall. This enabled us to raise the antenna high enough to clear the adjacent roof line. We hooked the lead to the receiver, and with a little fiddling by the guy perched 30 feet off of the ground (“Twist it just a hair more clockwise  -- little more – wait – go back a smidge.”) we soon had reception that sounded as if we were actually in the studio.  Success. This is good for listening in the shop when we work on bench projects – like painting, rebuilding relays, wiring assemblies, puzzling through 80-year-old wiring diagrams, etc. Then we came to Part 2 of the project.  When we’re out on the trolley line we use a 75-year-old work car that allows us to maintain and repair the 600 volt DC trolley wire while it’s still energized. All of the electricity in the car is Direct Current – popular back in the early 1900s – and totally incompatible with modern appliances, including radios.  So, how do we take WYEP along while we’re working on the railway? We did have a source of lower voltage DC, your choice of 24 volts or 12 volts. With a little scrounging in my basement, I found a portable FM/CD/tape player that operated on 8 D cell batteries. Hmmm.  8 times 1.5 volts equals 12 volts! Problem solved, sort of.  The task was to make the wiring necessary to plug the radio into the trolley car’s 12 volt electrical system.  So with some wire, solder, trailer connectors and tape, we soon had our boom box on wheels working.  We’re still tinkering with the antenna there as sometimes the car is oriented north-south and other times east-west or any combination in between depending on the twists and turns of the museum railway trackage. But we’re calling it a successful project. Now WYEP helps to power the crews that keep the power flowing to the streetcars at the Pennsylvania Trolley Museum.  Thanks, WYEP. -WYEP Volunteer Rick you can talk trolleys, antennas, and public radio with Rick at [email protected]
Tags:
Posted in
May 2, 2012 by [email protected]

Every Wednesday at 9:13 am, one of Pittsburgh's finest music writers joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Andy Mulkerin of Pittsburgh's City Paper. In case you missed it here's what he played with commentary by Andy: Jaill, "Waste a Lot of Things" - I was way into this band's Sub Pop debut in 2010, and buzzed a tune from that record; next month, they return with a follow-up, Traps. They've got a slacker-rock, sometimes almost surfer-y vibe, except they're from Milwaukee, so they're probably not surfers, right? Jill Barber, "Tell Me" - I saw this Vancouverian songstress at Hard Rock Cafe, making her Pittsburgh debut, a couple of weeks ago. Not many folks can pull off the retro-jazz-standards-revival thing, but she's a great songwriter and a charming performer, and has a wonderful voice. Here's hoping she makes her way back soon.
April 25, 2012 by [email protected]

Every Wednesday at 9:13 am, one of Pittsburgh's finest music writers joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Scott Tady of The Beaver County Times. In case you missed it here's what he played (with commentary by Scott): Yuck, “Chew” - Exhilarating U.K. band specializing in shoe-gazing guitar-rock, which like this new single, has a proper balance between sludgy and spacey. Not sure what they’re getting at with a chorus that says, “We chew it together.” Probably doesn’t matter. 2:54, “You’re Early” - And you’re early if you get hip now to this British duo’s brooding, atmospheric debut single. They’re two sisters, Colette and Hannah Thurlow, who have toured with the aforementioned Yuck and Melissa Auf de Maur of Hole. I understand why this song makes Cindy Howes recall her gothic days :)
April 18, 2012 by [email protected]

Every Wednesday at 9:13 am, one of Pittsburgh's finest music writers joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Justin Jacobs (talking to us via Skype!), contributing writer to Billboard & Relix Magazine. In case you missed it here's what he played with commentary by Justin: Yuna, "Live Your Life - Is there a cooler sounding lady out there right now? No, the answer is no. Yuna is from Malaysia, and her story is pretty wild: singing in Malaysian pubs, becoming a Malaysian celebrity, courted by an American producer via email and then flown to America to record this debut. The track was produced by Pharrell Williams, he of great Neptunes and N.E.R.D. fame. Together, they make this laid-back, incredibly sexy and life-affirming track that'll be stuck in your head for the next 10 to 12 business day. Oberhofer, "Awy Frm U" - This song was originally released as a single in 2010, but it finally shows up on this months "Time Capsules II," the debut LP from Oberhofer, band of frontman Brad Oberhofer. It's sloppy, playful but sincere kitchen-sink pop, and the band members play their instruments to death. I don't know if I've ever heard more piano bashing than on this record. It's a whole lot of fun, and you should probably buy it. Bonus picks! Reggae! I know WYEP isn't huge on the genre, but it's almost summer and you deserve some good jams. Sure, every almost summer barbecue will play some Marley or Tosh, but introduce your friends to two new bands and become more popular than ever. The first is from Nigeria: Nazarenes, making fuzzy, deep grooves. The second is Morning Sun and the Essentials, making more pop-friendly, sunshine-y reggae. You can find both on the internet.
April 11, 2012 by [email protected]

Every Wednesday at 9:13 am, one of Pittsburgh's finest music writers joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Scott Mervis of The Pittsburgh Post-Gazette. In case you missed it here's what he played with commentary by Scott: Cloud Nothings, "Stay Useless" - This starts out like so many indie-rock songs, sounding like the Strokes, but once the vocals get going, Dylan Baldi's personality takes over and you get that more raw emotion the Cleveland rocker injects into his tunes. Although this one is tight, poppy and, admittedly, repetitive, it lays the groundwork for some of the longer sonic jams on the band's explosive third album, "Attack on Memory." Big Snow Big Thaw, "Red Hollow Road" - This Pittsburgh trio may not be rewriting the book on Americana, but this song showcases the unique vocal range of Jim Sabol, who also plays banjo. In his travels to Alabama, he took the windy Red Hollow Road and was inspired to write this mysterious Southern gothic tune with a melody manages to lodge into your head.
April 4, 2012 by [email protected]

Every Wednesday at 9:13 am, one of Pittsburgh's finest music writers joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Andy Mulkerin of Pittsburgh's City Paper. In case you missed it here's what he played with commentary by Andy: Wooden Wand, "Winter in Kentucky" - It's not a seasonal song at this point, but it's a good one. James Jackson Toth records under the name Wooden Wand, and put this album out last fall, but it's being re-released, and I'm only now getting into it. You should too. I think some reference points for his rambling, storytelling style would include Bob Dylan and Craig Finn. Good Night, States, "Tired of Making Sense" - This is the most straightforward guitar rocker on the local band's long-awaited new full-length. Not unlike the last one from GN,S, this one has grown on me a little each time I've listened -- and that's a good sign for an album.
April 2, 2012 by [email protected]
If you’re a fan of the Block Party (weeknights from 8pm-12am EST) on 91.3fm, each month we feature one of the artists featured on the Block Party as an Album of the Month with a New or Renewing Membership to WYEP. The Block Party Featured Album is available in CD format for a $60 donation to WYEP or on vinyl for your gift of $75. April''s Block Party Featured Album of the Month is Arrow by Heartless Bastards. Become a WYEP Member at wyep.org and grab a copy as your thank you gift this month.

Arrow review by WYEP Programming Intern Arielle Klein: With new producer Jim Eno of Spoon, Heartless Bastard’s fourth album, Arrow, highlights the unity of the reformulated band. Through Erika Wennerstrom’s minimalist lyrics, the album tells the tale of a band on tour, of the necessity of a solid rock beat, the open road, and someone to share it with. The album starts out punchy with songs like “Parted Ways” and “Got To Have Rock and Roll”. The excitement and momentum of the band’s recent success is evident with their new found conventional rock sound. As the album progresses the band utilizes more profound lyrics and sprawling instrumental sections. Wennerstrom’s nostalgia for the old days in the second half of the CD cues in the banjo and the Bastards’ original blues inspired twang. While Wennerstrom’s voice is usually the focal point, the instrumental sections are powerful, overshadowing the forlorn lyrics with crisp entrancing interludes. The Heartless Bastards may still be finding where they belong in the rock schema, but wherever they are headed Arrow makes their listeners ready to stay on for the ride. Pick up a copy of Arrow by Heartless Bastards with your Membership today at wyep.org.
Tags:
Posted in
March 29, 2012 by [email protected]
This Sunday on 91.3fm, The Bluegrass Jam Session remembers Bluegrass Pioneer Earl Scruggs, who passed away on Wednesday. Earl was the last surviving member of the “Original” Bluegrass band, Bill Monroe’s 1945 Blue Grass Boys, and it was the addition of Scrugg’s innovative three-finger picking style that help create the unique style that came to be known for Monroe’s band,  “bluegrass”. In 1949, Scrugg’s teamed with smooth singing Blue Grass Boy alumnus Lester Flatt to create bluegrass music’s most influential group, the Foggy Mountain Boys. Through his appearances on the Beverly Hillbillys and his contribution of Foggy Mountain Breakdown to the film Bonnie and Clyde, Earl led bluegrass from the schoolhouses and southern radio shows to Hollywood and New York’s Carnegie Hall. Join us this Sunday from 8-10pm as the Bluegrass Jam Session remembers this American Original. -Bruce Mountjoy, Host of the Bluegrass Jam Session
Tags:
Posted in
March 28, 2012 by [email protected]

Every Wednesday at 9:13 am, one of Pittsburgh's finest music writers joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Scott Tady of The Beaver County Times. In case you missed it here's what he played (with commentary by Scott): The Forty Nineteens, “Take Me to Vegas” - Garage-rock turbocharged with a splash of late-‘80s alternative from a SoCal band featuring Monaca High graduate Nick Zeigler on drums and vocals. Produced by David Newton (The Mighty Lemon Drops), this debut disc, due out April 17, reminds me of the Hold Steady. The Forty Nineteens make their Pittsburgh debut in late July. Van Hunt, “Character” - Dayton, Ohio, rhythm-and-blues artist Van Hunt had the fourth-best reviewed new studio album of 2011 according to Metacritic. At the suggestion of his manager, “American Idol’s” Randy Jackson, Hunt released a live album two weeks ago, from which this cut was taken. The live album showcases Hunt’s refreshing take on R&B, melding the raw sexuality and guitar virtuosity of Prince with the glam-rock dramatics of David Bowie, and a dash of P-Funk spaciness. See him Thursday night at the Thunderbird Café.
March 21, 2012 by [email protected]

Every Wednesday at 9:13 am, one of Pittsburgh's finest music writers joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Justin Jacobs (talking to us via Skype!), contributing writer to Billboard & Relix Magazine. In case you missed it here's what he played with commentary by Justin: Regina Spektor, "All the Rowboats" - She's back! Everyone's favorite Russian immigrant piano player will release her new record, What We Saw From the Cheap Seats, in a few months, but in the meantime she's dropped this tasty bit of dark, deeply melodic and oddly tweaked pop. This one harkens back to her weirder days of 11:11 and (my favorite) Soviet Kitsch, instead of the brighter pop of latter records. Suckers, "Turn on the Sunshine" - These dudes released my favorite record of 2010, and their second effort, the questionably titled Candy Salad, drops next month. This first single is a good teaser — more straightforward but still twisted indie pop, and happy as all hell. If you like this one, rest assured, it is not the best song on the album. Extra fun track! --> Lucero, "On My Way Downtown" - A time-tested country punk band hires a horn section and gets all Memphis-Stax-soul on us on new album Women and Work. It's a good look for the guys.

Pages