From my perspective, one of the best things about meeting new people has always been learning about new music. Growing up, my friends and I always had the common bond of music. We all loved it. Therefore, when I would be introduced to new people through friends, sooner or later that person would usually introduce me to an artist or band I had never heard of. I can pinpoint certain music with certain friends. With Justin, it was Modest Mouse.
I had met Justin in high school. I had noticed Clint, another friend, and Justin making comments for a few weeks about a band named Modest Mouse. It usually involved Clint making jokes about them being awful, and Justin defending them. Apparently, there was a line in one of their songs that mentioned something like, "God Damn / I hope I can pass high school". Clint thought this was awful, and to be honest when saying it out loud without heairng the song it does seem pretty bad. Also, there was supposedly another song about cockroachs that was bad, too.
A bunch of us were at a BBQ one day, when Justin mentioned he had to pick someone up to bring over. I said I would go along for the ride. Well, as Justin and I hopped in his car that day we began talking. He made some sort of comment involving this band Modest Mouse. I said, "Who or what is this Modest Mouse thing? You guys keep talking about it." Justin replied, "You haven't heard the Mouse?! Oh wow, you gotta hear it. This... this is good." Now please realize, looking back Justin was probably talking this up in hopes he could get me to agree with him about their quality, and therefore, have someone to back him when Clint made jokes. However, at the time I wasn't thinking about this. I was just intrigued. So then Justin put on a mix tape he had in the car, and found a Modest Mouse song on it. It was called "Doing The Cockroach".
From the moment it started, I liked it. It starts slowly with singer Issac Brock stating, "I was in heaven / I was in hell / Believe in neither / But fear 'em as well". On the word "fear" the drums kick in. As it builds the song chugs at an increasingly faster pace till Brock announces, "We're Doin The Cockroach, Yeah!!!". From there forward the song is pure rock n' roll. It's raw and primal. By the time the song ended, I was on board. Justin didn't have to sell it to me.
To this day, I have no idea how to "Do The Cockroach". I'm not even sure if it is suppose to be a dance of some kind. It's a great song, however. It's a sound that only a band as young and naive as they were could probably make. The trio had formed when they were teenagers, and when the song was released I don't think anyone was more than 21 or 22. They're clearly not doubting themselves or thinking too much about it. They're just going for it.
They have become a different band in recent years. I still enjoy it for the most part, but it's different. Issac Brock has learned how to craft a song. He's explored other areas and branched out. Early tunes, like "Doin The Cockroach", might not work on a more recent Modest Mouse record. That's okay, and probably good for him. I still love the cockroach, though.
Oh by the way, I believe within a year or so Clint had agreed that they were pretty good. Justin didn't need my help.
-Andy, Tuesday Evening Mix
Right now, we are asking listeners to tell us their list of the Best Songs of The 90's. As I have been putting together mine, I have noticed that it's pretty fun for me. Most of my listening habits were formed in that decade. It's a nice topic for my first entry in this blog.
I remember it pretty well actually. The actual details are hazy, but the feeling is very vivid in my mind. I came home from school one day in late 1991. I was 11 years old and usually I came home to an empty house for the first hour or two. My brother had band practice, and both parents worked, so I would grab some snacks and turn on the TV. I was watching MTV and this video came on with dreary colors and a janitor mopping a gym floor. Within seconds the song had really kicked in, and I became confused. "Why is this guys hair so greasy? He knew he had to shoot a video for his band, and he didn't wash his hair? Man, that bass player is REALLY tall." Even in the confusion I remember it was exciting. Axl didn't write stuff like this. It was obvious that this music was 100 times more dangerous and free than anything else on MTV. Yes, Nirvana's "Smells Like Teen Spirit" video was the game changer for me. It's an obvious choice, but it's pretty amazing to think that thousands of other people had a very similar experience with that video. Also, looking back now, the janitor and cheerleaders with Anarchy symbols on their chests isn't nearly as weird as those Guns N' Roses videos. They made no sense at all. Axl gets married, and then at the reception it starts raining so people start diving over cakes. In the process the bride is killed?!? I also seem to remember another video where he swims with dolphins? THAT'S weird stuff.
In interviews, Kurt Cobain, and also Eddie Vedder, would constantly mention their influences and peers. I know that they both were uncomfortable with the amount of fame that so quickly was thrust on them, so it almost seemed like they mentioned these names so they could push some of this attention off on people they felt truely deserved it. Names like The Ramones, Velvet Underground, The Minutemen, Sonic Youth, and Mudhoney would come up. I took these bands they would mention and researched them. This was not long ago, but the internet was still not a factor yet. I would go to the record store and look for cd's that were put out by the same record labels as other bands. Sub Pop, SST, Touch and Go, 4AD, and so forth. I can really say that most of my musically tastes to this day can somehow be linked back to those interviews.
Over the next week or so I'll write about a few of my favorites from that decade. Feel free to comment or name some of your favorites, too.
-Andy, Tuesday Evening Mix
I’m a child of the 70s. I grew up listening to AM Radio.
In case you haven’t noticed, I absolutely love singer-songwriters. Especially MALE singer-songwriters. There are a few female singer-songwriters, like Sheryl Crow, who you will find in my CD collection, but mainly it’s a lot of very talented guys.
Please don’t hold it against me that I’m a “fanilow”. Back in March 1977 I watched the “1st Barry Manilow Special” on TV and I’ve never been the same since. I can’t help it. Barry Manilow’s music continues to move me over 30 years later. I still think of him as a singer-songwriter. His best work, to date, in my humble opinion is 2001’s “Here at the Mayflower”. Barry was inducted into the Songwriters Hall of Fame in 2002.
In my formative years during the 70s decade I listened to people like John Denver, James Taylor, Billy Joel and Elton John. I also liked the music of the Bee Gees and the Eagles. I was probably too young to realize that many of these artists wrote the songs they sang. I just knew I liked what I heard. For me, their music still stands the test of time to this very day. I really miss John Denver. I think if John were still alive today, he would have a lot to say to us and I hope we would be listening to him.
Later in the 70s and into the 80s it was performers like Livingston Taylor, Tom Chapin, Daryl Hall and John Oates and Michael McDonald who caught my ear.
Fast forward to the 90s and I found Marc Cohn, Edwin McCain and Shawn Mullins.
In the new century I discovered John Mayer and James Blunt. They and many others like them are still coming onto the music scene with their unique song-writing abilities.
Thanks to WYEP I’ve found some new (to me) singer-songwriters, like James McMurtry and John Hiatt.
I realize my taste in music and singer-songwriters leans toward Adult Contemporary. But think about it, most of these acts are still around after 20 to 30+ years in the business. They are actively recording, selling albums and placing albums on the charts. They’re touring and filling up venues. People apparently still want to hear their music and see them perform. Perhaps it’s like comfort food for the ears.
I’m happy to say that the singer-songwriter music genre is alive and doing very well. It seems like almost every artist we play on WYEP is a singer-songwriter. I’m in awe of the talent that’s out there. I hope to continue to discover new artists and expand my CD collection.
Barb S. - Sunday Mix Host
It was perhaps the album that most influenced my musical tastes, the one that opened up a whole new world—new wave, pub rock, power pop and old-school punk. And it’s all on one soundtrack from an obscure movie that I doubt anyone—including myself—has ever seen.
The movie is That Summer, a 1979 British flick starring Ray Winstone and Tony London (who? Exactly). But the real star is the music. Take a listen with me.
Track one: “Sex & Drugs and Rock & Roll” by Ian Dury and the Blockheads. It was like nothing I had ever heard before. Distinctively British but with a very accessible rhythm section—already I knew something was up.
Track two: “Spanish Stroll” by Mink Deville. The ultimate expression of cool.
Track three: “(I Don’t Want to Go to) Chelsea” by Elvis Costello. Literate rock and the best backing band in rock history.
Track four: “She’s So Modern” by The Boomtown Rats. Sir Bob may be best known for trying to save the world and for “I Don’t Like Mondays,” but for me, this is the Rats’ finest moment.
Track five: “New Life” by Zones. I’ve never heard another song by this band. But who needs to? It’s the perfect power pop song, filled with just the right amount of teenage angst.
Track six: “Another Girl, Another Planet” by The Only Ones. The ultimate one-hit wonder band. My favorite line: “Space travel’s in my blood and there ain’t nothing I can do about it. Long journeys wear me out, but I can’t live without it.” Only later did I learn the song was an ode to heroin.
Track seven: “Whole Wide World” by Wreckless Eric. One of my top 10 favorite songs ever. Great lyrics and an understated vocal performance. And he went on to marry Amy Rigby. The song also appears in another soundtrack, “Stranger Than Fiction.”
Track eight: “Because the Night” by The Patti Smith Group. I was never a huge Patti Smith fan, but this is one of the rare moments when someone out-Bruces Bruce.
Track one: “Kicks” by The Boomtown Rats. You know it’s a good album when this is the weakest song.
Track two: “Rockaway Beach” by The Ramones. Gabba Gabba Hey. Who needs more than three chords? Sparse but perfect.
Track three: “Teenage Kicks” by The Undertones. Influential DJ John Peel calls this his favorite track of all time. It’s hard to argue with that assessment. Plus, who can dislike a band whose lead singer is named Feargal Sharkey? It’s one of rock’s great names and one of the best riffs of the punk era.
Track four: “Do Anything You Wanna Do” by Eddie & The Hot Rods. Great pub rock and a song that would be my personal anthem for my twenties. “Tired of doing day jobs with no thanks for what I do, I know I must be something, now I’m gonna find out who.”
Track five: “What a Waste” by Ian Drury and the Blockheads. More evidence that the cockney rebel was a great songwriter—even if he’s not a great singer.
Track six: “I Love the Sound of Breaking Glass” by Nick Lowe. I knew “Cruel to Be Kind” was a great song, but this track made me investigate the Jesus of Cool in greater depth. I never regretted that decision.
Track seven: “Watching the Detectives” By Elvis Costello. Hands-down my favorite Elvis song. Elements of reggae combined with one of the great writers of the rock/punk era. Again, The Attractions shine.
Track eight: “Blank Generation” by Richard Hell & The Voidoids. The song that introduced me to American punk. Richard Hell was a poet, who unfortunately never got attention from the mainstream. But then again, would he have been as cool had he reached a larger audience?
Taken together, the songs on this album paint a rich tapestry of late ‘70s/early ‘80s music. For me, it opened up possibilities and was the origin of many a mix tape—and Friday evening mixes. Maybe one day I’ll even see the movie.
During the first week of February this year, Mr. Barb and I embarked on a week long journey through song. The chartered cruise was called Cayamo (pronounced kay-AH-mo). I would describe this inaugural event as Woodstock on water. Ok, I realize there can’t really be another Woodstock and those that were there or say there were there or think they were there in 1969 will probably argue the point with me; but trust me this was quite a unique experience.
It was six days of sailing through the Western Caribbean with the cream of the crop of singer songwriters on board. A new community of fans developed, united by the music. We’ve never seen so many smiling friendly happy faces all in one place before. The ports were secondary to the music on the ship.
Lounges, decks, atriums, lobbies and theaters provided unique venues for some very talented people. Every night there was a headliner show. I must confess here, I slept through many (okay most) of the headliners. The shows were at 9:30 pm, after dinner. When you’re sitting in a comfortable chair in a theater, with a full stomach and tired from running around all day, one tends to fall asleep. I tried my best to stay awake and applaud at the appropriate times. I understand from Mr. Barb I missed a lot of good performances. It was all about the pacing, which we vow to be better at doing next year. I wanted to be awake for the 11:30 pm (and later) shows, so napping during the headliners seemed to work for me.
The Headliners (in the order I slept through them) were:
John Hiatt, Shawn Colvin, Lyle Lovett, Patty Griffin, Brandi Carlisle, and Emmylou Harris
Other singer songwriters on board included:
Adrianne, Ryan Bingham, Chuck Carrier, James David Carter, Clay Cook, Meghan Coffee, Patrick Davis, The Duhks, Danny Flowers, Gaelic Storm, Ernie Halter, David Ryan Harris, Ari Hest, Chris Janson, Keith Kane, Earl Klugh, Chrystina Lloree, Edwin McCain, Pat McGee, Buddy Miller, Miss Tess, Shawn Mullins, Oakhurst, Josh Rouse, Scarlet Kings, Holly Williams, Beth Wood, Clair Wyndham, and Brandon Young.
Did we get to see every performer? No, we had to sleep (or in my case nap) once in awhile. We also had to eat and thus had to make a decision to bypass a few performances in the process. Near the end of the cruise, we tried to at least see a couple of songs by the performers we hadn’t had the chance to experience yet. So we would poke our heads inside venues or stand outside to at least say we heard them. There was a merchandise store to purchase the artist's CD’s, but there’s nothing like a live performance.
As you might expect, the coolest moments were the unscripted and unexpected ones. Like when a performer would join another performer up on stage, unplanned and just sing along or jam. Brandi Carlisle joined Shawn Mullins, Edwin McCain and David Ryan Harris on The Band’s “The Weight” (which ended up being a popular song during the cruise). The performers all seemed to be having a great time interacting with each other and enjoying the fan’s often enthusiastic responses. The atmosphere was right for spontaneous collaborations. And some of the performers brought family with them, so hopefully they were able to enjoy the cruise as a little vacation.
During one of Edwin McCain’s shows, he swapped places with Ari Hest (who was doing a performance in the lounge behind where Edwin was playing). What fun being able to see Ari perform a song!
I was mainly enticed to sign up for the cruise due to Edwin McCain and Shawn Mullins being two of the performers. I was in all my glory when they teamed up to do a concert in an intimate lounge on board. Now we know they really are two different people. Edwin and Shawn often get requests for each other’s songs during their concerts.
On the Lido Deck, Edwin McCain, Shawn Mullins and David Ryan Harris (who is in John Mayer’s band) performed in front of a huge crowd of people sitting in their beach chairs in bathing suits. Mr. Barb took what ended up being my favorite photo from the cruise: Shawn looking out into the crowd and you could see the reflection of the people in his mirrored sunglasses (check it out at the bottom of this post!). The performers seemed to feed off the enthusiasm of the fans.
Performances were being added to the schedule as the cruise went along. I got to see Edwin McCain and Shawn Mullins perform a total of four times (twice solo; twice together). Trust me, they compliment each other very well on stage.
On the cruise we discovered acts like The Duhks, Gaelic Storm, Oakhurst, Scarlet Kings, Ryan Bingham, Ari Hest, Evan McHugh and others. We came home with many CD’s to listen to, to re-live the musical journey.
I can’t really capture the full experience of being on a cruise ship in the middle of the Western Caribbean in February with all this music everywhere. We had perfect sunny, hot weather and even got sun burned! While we had an inside cabin, you really only spend time in your cabin to sleep a little bit, shower in a moving telephone booth and change clothing a few times a day. Once you got your bearings on the boat, it was easy to get around and plan your strategy about which shows to see and when. Each act usually performed a few times throughout the cruise and Mr. Barb and I would split up at times to hear someone again or someone we hadn’t seen before. When you’re on vacation and not dealing with daily distractions you’re okay with festival seating at some venues and going early to get a good seat.
We had so much fun this year, we plan to take the journey into song again next year, during the first week of March. Another night has been added, and this time we will be sailing through the Eastern Caribbean. We are looking forward to hearing and discovering some more singer songwriters. And, hopefully, if the technology gods are with us, I can maybe blog on a daily basis. Our cabin will be on the same floor as the Internet café.
Barb S.- Sunday Mix Host
Summer in the city means concerts and more concerts.
On August 2nd I’m venturing down the pike to Philly to see Sheryl Crow along with James Blunt and Toots and the Maytals. To be honest, I’m mostly going to see James Blunt. The only time James was scheduled to be in the Burgh, his concert was cancelled. I’ve been looking for the chance to see James, so when I saw he was touring with Sheryl this summer, I had to go. James is a 21st century singer songwriter with 70s songwriting sensibilities. I last saw Sheryl almost two years ago when she co-headlined a tour with John Mayer which began in Burgettstown (a first night of the tour is like a glorified dress rehearsal, but fun for a fan to see it all coming together on stage). I love Sheryl’s new CD “Detours”, I think it’s her best offering in years, taking us back to the “Tuesday Night Music Club” days with catchy timely lyrics.
A few days later, on August 6th I will be heading east again, this time to Greensburg to see Edwin McCain. It will be an acoustic trio show. I’ve been a long time Edwin McCain fan, but never was able to see him in concert until this year and that was in the middle of the Western Caribbean on a cruise ship (more on that journey into song in another post). Edwin is very funny on stage and I believe under-rated as a singer songwriter. I look forward to another entertaining evening of great music.
Speaking of John Mayer, his tour finally rolls through the area again on August 20th. After seeing John with Sheryl in 2006, about a month later I had the opportunity to see him in a free outdoor concert in downtown Toronto. I was attending a conference and found out he would be performing nearby. That was a lot of fun, even though I was standing over a block away, the atmosphere was great. John still did not yet have the confidence on stage to believe in his music and I’m hoping that touring over the last couple of years has built that level of confidence up. I have his current CD/DVD “where the light is” and I can see and hear the maturity in his voice. I’m also digging his new single “Say”.
On September 15th , Shawn Mullins will be back, this time in support of Dar Williams. I’ve been a fan of Shawn’s music since I heard “Lullaby”. He seems to play the Burgh at least once a year, and this will be his 2nd visit in 2008, his last solo show being April 1st right after “honeydew” was released. I believe “honeydew” is Shawn’s strongest release in years. You can hear the depth and experience in the lyrics. “honeydew” was also released on vinyl and some of the tracks segue seamlessly into each other, like songs on albums would often do in the 70s. I’ve never had the pleasure of seeing Dar and I look forward to her set. Dar has a new CD coming out in September called “Promise Land”. Lending support on the album are such renowned artists as Suzanne Vega, Marshall Crenshaw, and Gary Louris (of the Jayhawks).
I wonder how many people watching the Oscars® ever heard of Glen Hansard & Marketa Irglova. I was rooting for their song “Falling Slowly” to take the coveted Best Original Song Oscar®. A much deserved win for not only the talented singer songwriters, but for independent music as well. What a moment it was to see Marketa come back out to give her acceptance speech. The Swell Season will be in town September 21st. I’ve vowed to finally watch the DVD of “Once”. I’ve been enjoying listening to The Frames “the Cost” CD. I was introduced to their music thanks to WYEP.
The fall will hopefully continue bringing us some more great concerts. I’m looking forward to seeing Joan Osborne for the first time on October 23rd.
Barb S. - Sunday Mix Host