Audio Specials

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Johnny Marr on The Morning Mix

Brian Siewiorek recently had a chance to talk to legendary musician Johnny Marr. Marr is a groundbreaking musician that is probably most well known for founding The Smiths, and has been a member of other bands like Modest Mouse. Also, Marr has played with many others including Talking Heads, Billy Bragg, Tom Jones, and Kirsty MacColl. But in all the time he’s been playing music, he has only just recently released a solo record. Called The Messenger, this album was both written and produced by Johnny Marr.“The song “Words Start Attack” was the first song I wrote for the album. That was me getting a little bit of a notion about technology and how we communicate through screens these days, and how friendships can be broken through an email,” said Marr. “When I was writing the record, that sort of became the concept.” Another track on the record, “I Want the Heartbeat”, is about a man that wins the lottery and trades his wife for a heart monitor, which Johnny Marr says could one day be “the ultimate technological fetish.”While the concept behind the lyrics of The Messenger is related to technology’s negative impact on communication and interpersonal relations, the album is a fast paced electric marvel. Marr said he wanted this album to have “high energy tunes that sound good in the day. That makes you want to put your iPod on in the car on your way to work or back from school, or whatever.” The album has lots of energy, and as Marr warns, “I’m not making music to pour a glass of wine or kick back with a joint after a stressful day. I’m making music that makes you excited in the day time.”Brian asked Johnny what his songwriting process is like, and Johnny says there are a few ways he comes up with songs. “The way I write for myself is I kind of tend to hear the whole tune in my head. I just sing it into my phone or a recording device. If I get a notion, if you like, about the world or about things.” Marr was able to tell us exactly how he wrote the title track. “The song “The Messenger” came out like an electro sort of 80s thing. Came about from me messing around on an old 12 string acoustic, and it was almost like a sort of folkey thing.”Marr has been producing music since all the way back in the Smiths era of his career, and he’s done it frequently since then. “On The Messenger it wasn’t something that I asked for. I got to go into the studio and everyone’s looking at me saying, ‘what microphone are we going to put on the tom toms?’ I’m like, ‘oh right.’” Marr says that he was grumpy about producing the album for about a month before he finally got in the groove of things, but he would love it if he found the right producer for his solo stuff.Marr says he already has 8 or 9 songs written already for the next Johnny Marr record, and he's working on the soundtrack to the next Spiderman movie with Hans Zimmer and Pharell Williams. 

Andy Partridge of XTC turns 60

For Andy Partridge’s 60th birthday, Cindy Howes interviewed WYEP Music Director Mike Sauter regarding the XTC singer. Founding the New Wave band XTC in the 70s, along with Collin Moulding, Partridge wrote some of the catchiest most biting songs of the New Wave era.After the Sex Pistols broke out in 1977, XTC released their first album in the middle of a musical revolution in ‘78. XTC wanted to sound different than any other music coming out of the 70s, and they started with a unique cover of Bob Dylan’s “All Along the Watchtower.”Partridge suffered from a terrible stagefright, and in 1982, the band stopped touring and became a studio band. This allowed them to develop their sound more than a touring band. The lyrics were very intelligent, with a wry observational stance. Some songs had social commentary, although subdued and resigned. Really just point it out, saying “I guess that’s the way it is and nothing can be done about it.” He also wrote self deprecating love songs that said “Who am I, but I love you.” “He always had an interesting take and a great perspective that made his social commentary songs very interesting to listen to,” Mike says.Their most successful album commercially and artistically was the 1986 release Skylarking. They hired producer Todd Rundgren, but they had a very contentious relationship. He brought something new from XTC, and drew them away from their New Wave roots. This new, different sound was much more pastoral, as Mike says, and people really responded well to Skylarking.Andy Partridge wrote about 2/3 of XTC’s songs, but Collin Moulding wrote incredible songs too. He wasn’t as prolific a writer, but the ones he did write were very good. “Collin Moulding , kind of like that guy in the room where everyone is having a conversation and he doesn’t say very much, but when he does open his mouth to say something you know it’s going to be good.” Andy Partridge, however, was a lot more prolific, and that allowed him to experiment more. “You never knew what to expect from an Andy Partridge song,” says Mike.Cindy challenged Mike to introduce people to Andy Partridge via one XTC song. Mike balked at the challenge, citing the duality of Partridge’s writing persona. He has the self deprecating lover aspect, and the social commentary aspect. For the latter, Mike said he would pick “Dear God”. “He’s really singing from his heart, and he’s trying to get his point across, and it really comes across well.” For the self deprecating lover aspect, Mike picked “The Mayor of Simpleton”. “It’s a great song, it has an incredibly catchy hook, it’s very well written as a song…Personally, I can’t imagine anyone not liking that song.”“He seems like a likable guy, and when he writes his social commentary type songs, he’s never really strident in it. He’s really never yelling at you or trying to tell you what to do. He is a real genuine type of guy, seems like a lot of fun, with a real sharp wit, but not the kind of intelligence that you don’t even want to talk to him.”

Bethany Cosentino of Best Coast on The Morning Mix

Cindy Howes had an opportunity to interview Bethany Cosantino of Best Coast recently about the band’s latest release, Fade Away.Bethany has said that the song “I Don’t Know How” is inspired by Country music singers. “I’ve always been a fan of 60s country music and female country singers. I’m also really into Taylor Swift and that whole Country Pop sound. I wanted to blend that idea of 60s female country singing with a typical Best Coast song. That’s why the song is kind of two parts.” Some classic country musicians that Bethany is inspired by are Patsy Cline, Loretta Lynn, and Bobbie Gentry. She even has a Bobby Gentry album hanging up in her home office.Bethany also explained her writing process on the song “Who Have I Become”: “When I write lyrics it’s very casual. I sit down and I start writing on guitar, and as I’m writing the melody I just start mumbling lyrics to myself,” Bethany said. “I remember writing this and thinking, ‘oh, there’s too many lyrics. This is like a rap song.” She says that if they speed up the song even a little bit, she’s “literally rapping”, so they have to be careful. She also mentioned that the song was inspired by the theme song to the "Clueless" TV Show. Generally, when writing for Best Coast, Cosentino and bandmate Bobb Bruno don’t write together. Bethany writes songs at home in her room, then she records it on the computer and sends it to Bobb via email. She tells him what sort of vibes she wants the song to have, he finishes it, and then they go into the studio. “We tried to write something together and it was just so awkward. It just did not work. We said ‘let’s just keep doing it the way do it’, and we’ve been doing it that way for four and a half years and it’s worked really successfully, so we don’t really plan on changing it.” The lyrics Bethany writes for her songs are pretty revealing of her personal life, and showcase her emotions as clear as day. She did admit that sometimes it can become a problem, being too literal. “I will admit that sometimes it is a little frustrating because people are constantly like, ‘who is that song about’ and ‘why did they do that to you?’ And sometimes I’m just like, ‘that’s not something I want to talk about’. So sometimes I think maybe I should hold back next time I’m writing, but that’s probably not going to happen.” She also writes a lot about her home state, California. “When people listen to our music they think of California, and it’s obviously because I’ve shoved the aesthetic in everyone’s face very heavily,” Bethany laughed. “We like to bring our music to places where there is no beach, or it’s 50 degrees and it’s snowing and it’s freezing. I know 50 degrees isn’t freezing, but to me that’s freezing.” While the songs tell of Cosentino’s love of the state, she does like to get away. “It’s really nice to go on tour and leave California for a little bit, and then when you come home you’re always so jazzed to be back.”Bethany has an impressive social media presence, and she has acquired quite a following. She even had a clothing line at Urban Outfitters. Cindy asked where she found the most surprising example of her influence, and Bethany explained about seeing it at some shows they did recently. “I’ve been really into Bart Simpson lately, and all these young girls showed up to the show in Bart Simpson shirts. It’s just bizarre to me that things I do are just becoming cool for all these young girls that look up to me to do.” As far as how she feels about it, she definitely likes it. “It’s really humbling and kind of awesome to just know that you’re making a difference in somebody’s life whether its your music that’s helping them through a breakup or helping them get through something tragic that happened to them, or your style that’s influencing them, or your haircut that’s influencing them. It’s just awesome feeling to know that what you’re doing is inspiring people in whatever way.”Best Coast's new mini album, Fade Away, is out now.

Joni Mitchell 70th Birthday On The Morning Mix

Joni Mitchell is one of the most influential musicians of all-time. Mitchell has written ‘many songs that defined a generation and has is considered one of the most covered songwriters ever. Cindy Howes and Rosemary Welsch discuss the life and music of Joni Mitchell on The Morning Mix to mark her 70th birthday.Born Roberta Joan Anderson, Joni Mitchell had an interesting childhood.  She contracted polio at 8 years old, and she was told she’d have to use an iron lung her whole life. She decided that she’d combat her polio by singing at every opportunity. A year after her diagnosis, she started smoking cigarettes. “A dedicated smoker, lets just put it that way,” Rosemary says.In high school she fell in love with rock n’ roll music. In the 60s she started busking in Toronto, and moved to Detroit, and New York with a man with the last name Mitchell. She started breaking through in the late 60s, having performed with Johnny Cash.Blue was the Joni Mitchell album that really caused her to get recognition. “Up till this point you had people like Leonard Cohen and Bob Dylan. They were a bit more outward looking, what was happening in the world. But Joni took it in and said ‘what’s happening in my world.” Rosemary says. At this point she was having relationships with people like James Taylor and Steven Stills, and they appeared on the album with her.Her first couple albums were in the style of folk artists. But later albums moved to different styles. “By the time she’s hitting Ladies of the Canyon, there’s pop and there’s rock starting to move into it. She’s using percussion, backing vocals, there’s layered production, and its starting to change.” She was heavily influenced by jazz, and eventually she introduces elements from world music into her songs. Joni found herself pregnant in 1964. She gave up her child for adoption, and that’s when she says she really began writing lyrics. She met her daughter in 1977, and her career slowed down after that. “She walked away from music as a full time thing at this point in time,” says Rosemary. Joni Mitchell, in addition to her incredible talent as a musician, was also a talented painter. It became more important to her as she grew older and more dissatisfied with the music industry. The cover to Joni’s album Cloud is actually a painting of hers.“When people use open chords or alternate tunings, it really opens you up to improvisation, and I think that’s what Joni did.” Early on, Joni was very intricate with her keyboard work, but it was much more like rhythmic strumming at the end of her career.

Eric Pulido of Midlake on The Morning Mix

The Denton, Texas band, Midlake has been around for about ten years releasing lush folk music that is reminiscent of Fairport Convention and other British 60’s folk rock bands. This past year marked a major shift in the group. Tim Smith, Midlake’s main singer and songwriter abruptly left the band. All members of Midlake stepped up to record a new album that they had promised. What came of that experience is a sound swelling with psychedelic influence and band that has begun a new exciting chapter. Cindy Howes spoke with new Midlake frontman, Eric Pulido about their new record, Antiphon.When it was announced back in August that Eric would be taking over for Tim Smith, there was much excitement for the band’s future, but there was some worry also. “At the time, it was in some ways a daunting task. When your lead singer and songwriter leaves the band, it kind of shakes things up a bit,” Eric says. This, they though, was just another “chapter of opportunity”, and it seems to have paid off with Antiphon. “It’s the most communal record we’ve ever done together.”Cindy asked Eric about the difficulties of recovering from losing the frontman of the band. “There was never any talk of breaking up. We still wanted to continue on. But was it difficult? Yeah, there were definitely some fears and insecurities.”Midlake had recorded album and a half worth of material before Tim left the band, and all of it was scrapped with Tim left the group. New material for Antiphon was written and recorded in 6 months. “I wouldn’t say it was easy, there were definitely a lot of growing pains, especially early on. But it was kind of like running a marathon. Even though these were new songs, it was still the same objective. We were still trying to create a record.  Even though there wasn’t necessarily a deadline, we wanted to finish that race.”It is safe to say that Midlake seems to have won the race, and the new album Antiphon is out now. Pick it up and enjoy this new psychedelic sound.

Marshall Crenshaw on The Morning Mix

Marshall Crenshaw has recently released a new EP called I Don’t See You Laughing Now, and has a new one planned for release on Record Store Day. His latest project is a subscription project that will have him producing a series of three song 10” vinyl EPs. Cindy wondered what his inspiration was for this idea. “It was a combination of other people’s ideas, actually. I remembered something I read about Sam Phillips, you know, the singer/songwriter, that said she had some sort of subscription thing she was doing. And I read another interview that I read with Jack White where he was talking about the beauty of vinyl records and the value of having a  tangible object of art in your hand, and I thought ‘Jack’s right, I like vinyl records too.’ So I took Sam’s idea and Jack’s idea and made it my idea.” Each record has an original A side, and each B side has two tracks. One is always a cover song, and the second track is a remake or a new interesting version of an older Marshall Crenshaw song.Additionally, Marshall Crenshaw does a radio show on WFUV in New York. Cindy asked if he had done a radio show before, but Crenshaw said he hadn’t, other than being a guest on other people’s shows. One show he was a guest on was on the Steve Earl Show on Air America. He would have musicians or authors on the show, and guests would bring records they liked, and they would talk about them. “I did his show and I just realized that I always loved doing that. So the show that I do is a weekly roundup of records from my personal record collection.”The new song, “Driving and Dreaming” was part of an album that Crenshaw mixed himself. “This time around I did everything myself because I spent too much money on the second one, so I had to do it all myself on the third.” He wrote this autobiographical song with Dan Byrne, and Marshall thinks it’s a good road song.The new EP comes out on November 29. Be sure to pick it up and burn a mix for your car’s stereo!

WYEP's Artists Tribute to Lou Reed

When Lou Reed died on October 27th, he left behind a legacy of great songs. In tribute, we offer an hour of Reed's songs as covered by other artists, plus a few originals.  Featuring: R.E.M., David Bowie, Peter Gabriel, U2, Cat Power, Nirvana and many more. Hosted by Brian Siewiorek.

Scott McMicken of Dr. Dog Guest DJ Set

Scott McMicken of Dr. Dog was gracious enough to do a Guest DJ set with Cindy before Dr. Dog’s show in Pittsburgh, and he picked some seriously cool tunes.The first song on Scott’s set list is the Oblivians’ “Live the Life”.  “I feel like it’s better than a cup of coffee. I love the overall soul and spirit of the thing, as well as the lyric. I feel like the lyric is the best possible mantra a musician can hold on to.”The second song Scott chose for his set was Cotton Jones’ “Somehow Keep it Going”.  “I love every single Cotton Jones song I’ve heard in equal measure to that one, but I figured that one’s kind of the hit. I cant imagine anyone wouldn’t like that song.” Dr. Dog did a tour with Cotton Jones, and Scott feels that Cotton Jones is one of the most underrated bands around these days.The last song of McMicken’s playlist is Karen Dalton’s “Something’s On Your Mind”. Cindy is a fan of Karen Dalton’s, but somehow this song had escaped her. She was curious about how Scott discovered it, and he heard about her through the band. “Theres this weird little anomaly of an album called In My Time produced by Fred Neil…If the stories that I’ve heard are true, it’s pretty remarkable because apparently they kind of snuck this one her.” Scott told us that Neil asked her to come into the studio and had a band ready for her. She wasn’t aware of it, and was allegedly pretty annoyed, but still they cut the record in a day. He says he’s never heard someone with as sultry a voice as Karen Jones. “Her voice is smoked out like a jazz sax! I can’t get enough of it.” Scott McMicken’s Guest DJ setlist: Oblivians – “Live the Life”Cotton Jones – “Somehow Keep it Going”Karen Dalton – “Something’s On Your Mind”

Scott Simmons of Scarehouse Halloween Guest DJ

Sound is a huge part of what makes the Scarehouse as terrifying as it is, and Scott Simmons, as creative director, is one of the people in charge of making the soundscape as creepy as possible. “We’re big theme park nerds, audio nerds, and so we put a lot of effort into the sound design of the place. We’ll have multiple audio tracks, and in fact one of the songs I’m going to play today is a big influence on everything we’ve done at Scarehouse, being a kind of cinematic experience.”The first song on Scott’s playlist is inspired by the old horror movies he watched when he was younger. Dead Man’s Bones’ song by the same name was the pick. “Turns out somebody who was much cooler and hipper than me, Ryan Gosling, has the same kind of passion for that kind of stuff, the old school monster movies and ghosts and things…and he actually formed this band called Dead Man’s Bones, which does a lot of creepy, fun Halloween music.”The second song Simmon’s picked is “The Mummy” by Bob McFadden. The song was very influenced by old scary movies. “When I grew up in the 70s it used to be great to go to stores and get these long playing records that would be like combinations of spooky stories and Vincent Price stuff and spooky sound effects. I don’t know if they do that kind of stuff anymore…But both of those songs sound like stuff from that era.” These songs all make you feel like it’s Halloween without being the Monster Mash or Ghostbusters.Third on the list is Alice Cooper’s “Years Ago”. Scott makes the point that not all of Alice Cooper’s music, which had been considered pretty nasty and aggressive in the 70s, was as bad as people thought it was. Looking back, it’s fun. “It’s that thin line between humor and horror, and Alice Cooper was right there. I mean, he was on the Muppet Show!” That said, “Years Ago” is still a very creepy song, and fits the theme quite well.The final song on Scott Simmon’s playlist is “Grim Grinning Ghosts” from Disney’s Haunted Mansion. “That is the anthem of haunted house and Halloween people everywhere. That’s the song that was designed for the Haunted Mansion in Disneyland…I’m a major Haunted Mansion nerd.” Scott is such a nerd, he has Haunted Mansion bootlegs. His love for creating a cinematic experience is heavily influenced by this song.The Scarehouse is open Halloween night, and Scott says it’s a great idea to come. “A lot people think that Halloween will be a really busy night at the Scarehouse, and actually it’s a great night to come out. We still have the full cast, we still have the haunt running at full strength, but because of trick or treating, because of other stuff going on, and it being a Thursday night, lines wont actually be that bad.” They’re open the weekend after Halloween also, in case you missed it before the holiday.Scott says the Scarehouse’s scariest event ever is open this year. The Basement is now open, and unlike the upper floor which is PG-13 rated, the basement is very R rated. “The basement is about as hardcore as we can get.” You have to sign a waiver to get in, and you have to be older than 18, so you know it must be horrifying. Scott's selections:1. "Dead Mans Bones" - Dead Man's Bones
2. "The Mummy" - Bob McFadden
3. "Years Ago" -- Alice Cooper
4. “Grim Grinning Ghosts " - Disney's Haunted Mansion

War of the Worlds 75th Anniversary Guest DJ Set

This year is the 75th anniversary of the legendary radio broadcast, The War of the Worlds. To celebrate this landmark in radio broadcasting, Cindy Howes welcomed Tami Dixon of Bricolage Productions to the Morning Mix.Bricolage is performing a Midnight Radio broadcast of The War of the Worlds on the eve of the anniversary. “It’s like Prairie Home Companion on Redbull. If you don’t know what Prairie Home Companion is, its like Saturday Night Live meets the Daily Show meets Pee-wees Playhouse,” Tami says. This means that it’s a bit of a variety act in the style of 1940’s radio. Vintage stories, original stories, game shows, guests, musicians, and live foley sound effects are all part of the Bricolage experience.The first song on Tami Dixon’s playlist is The Byrds’ "Mr. Spaceman" from the 70s. “It’s a very happy style, and a lot of us look at aliens as “the other”, as something that are coming to get us. I want to think that maybe they’re going to come and visit and do something wonderful for us, teach us how to survive better.”Next up on the set list is Sufan Stevens’ song “Concerning the UFO Sighting Near Highland, Illinois”. “I love him, I love his voice. I think his harmonies are incredible, and there’s something so lonely about his work about his sound. I think there’s also something very lonely about space, about this idea of “what is out there, what is beyond us.” I think that’s what the War of the Worlds, the original broadcast, of played on, this fear of all that.”Tami Dixon’s last song is "2 Little Men in a Flying Saucer by Ella Fitzgerald". This tune is from the 50s, so about 15 years after the original broadcast of the War of the Worlds, but the aliens featured in this tune have a very different reaction to Earth than others in media. “It talks about these aliens coming to visit and saying, “No thanks, I don’t want to visit.” It’s a great song, and it might even have been some inspiration for the Calvin and Hobbes strip years later, where Calvin says to Hobbes, “Sometimes I think the surest sign that intelligent life exists elsewhere in the universe is that none of it has tried to contact us.” This episode of Midnight Radio is Pittsburgh centric, where the happening occurs in and around Pittsburgh, whereas the original happened in upstate New York. “Our attack begins near Pittsburgh in McConnell’s Mills.” The show should be a fun mixing of our past and some inspiration from today. When Cindy asked if Tami thought anyone would believe we are actually being invaded, Tami says, “A part of me hopes so!” Tami Dixon's Guest DJ Set:The Byrds: "Mr. Spaceman"Sufjan Steven: "Concerning the UFO Sighting Near Highland, Illinios"Ella Fitzgerald: "Two Little Spacemen in a Flying Saucer"

Juliana Hatfield on Minor Alps, new band with Matthew Caws

Cindy Howes talks to Juliana Hatfield about Minor Alps, her band with Matthew Caws of Nada Surf, and their debut album Get There. Cindy asked what kind of symbiotic relationship the two have, and Juliana gave an answer that pretty much sums up the collaboration. “I think we write about some of the same themes, of existential longing and yearning, I really relate to his song that way, and I think he relates to mine that way. And our voices sound really good together. They blend so well sometimes I cant tell whose voice is whose when we’re in a certain range.”  Their voices do sound really amazing together, and hopefully it leads to more albums by Minor Alps. “It’s so easy to sing with him, which is so great. It’s just fun to be able to harmonize with someone and not have to worry about pitch or anything.”Both artists really reached their stride in the 90s, having both appeared on MTV and getting radio play. They had some interaction due to these periods of high media exposure. “We would bump into each other here and there…The world of music is really a small world, and everyone kind of knows everyone.” Juliana Hatfield says she was a big fan of Nada Surf when she heard their album Let Go.Juliana then asked Matthew Caws to do vocals on her 2007 album How to Walk Away, and later, Caws asked her to do some vocals on a Nada Surf b-side.  “It worked out so well both times we decided to make an album together.” The songs on the album are generally written by either Juliana or Matthew, but then the arrangements are collaborated on. The lyrics aren’t exactly collaborative, but Juliana says that they feel like they each speak for each other in their lyrics. “We’re so similar that even if he’s written something, it feels like it could have been written by me. That’s why it feels so natural to consider them all co-writes.”Get There is in record stores now, so check it out!

Tribute To Lou Reed on The Morning Mix

The legendary poet, singer and musician Lou Reed died Sunday at the age of 71. Lou Reed's contributions to the musical landscape are enormous starting from his time with The Velvet Underground, throughout his exceptional solo career and up until his death. He had not been in good heath recently, he had liver disease and had gone through a transplant earlier this year. He was being treated up until a few days ago when it was decided that doctors could no longer do anything for him. He died at his home in Amagansett, N.Y., on Long Island. Lou Reed is survived by his mother, his sister and his wife: composer and musician Laurie Anderson.Matt Wrbican, chief archivist at The Andy Warhol  museum in Pittsburgh shares his thoughts on Lou Reed, starting with his time in The Velvet Underground, when he first met Andy Warhol.

Mason Jennings on The Morning Mix

Mason Jennings is releasing his latest studio album - Always Been - this November.  Joey Spehar of The Morning Mix spoke with Jennings about his new album and the fact that Pittsburgh will always claim him as a Native Son.

Hawksley Workman Guest DJs on the Morning Mix

Cindy Howes brought Hawksley Workman in for a Guest DJ set, and to talk a bit about his one man production "The God that Comes", which debuted for the first time in the US right here in Pittsburgh! Cindy asked Hawksley to pick his favorite glam rock, pop, and rock opera songs in honor of his new one man show, which is a hybrid of cabaret pop and glam rock.Hawksley’s first pick for his set list is David Bowie’s “Ashes to Ashes”, fulfilling the glam rock requirement of Cindy’s request. Hawksley picked David Bowie, but he admits that he’s not actually a huge fan of the grandfather of glam rock. He likes the hits though, and regarding this song, “There’s something in the production that’s very watery, it’s very dreamy, there’s a tinge of evil around the whole thing, and it just feels kind of magical,” Workman says.The second song Hawksley picked was “In the Meantime”, by Spacehog. Hawksley is a self-proclaimed pop music fanatic. He wasn’t as into grunge music while he was growing up in the 90s’. “"In the Meantime" by Spacehog to this day feels like one of the greatest pieces of pop excitement I’ve ever heard.” Hawksley also talks about how incredible the bass part in the song is.The final song that Cindy asked Hawksley to pick is the rock opera song. “I was lucky. I grew up in this fun little church in my little town, and the minister there was obsessed with theater. We didn’t always do Christian oriented theatre, we did lots of British comedy and what have you, but I was able to do a few different productions of "Godspell", and the music has always stuck with me. I think it’s one of the best musicals ever written.”The interview concludes with Hawksley giving a synopsis of what his one man play, “The God that Comes”, is all about. Listen to the interview to get all the details, but suffice to say it’s about gods, wine, sex, and an angry king. Hawksley Workman’s Guest DJ Set: David Bowie – "Ashes to Ashes"Space Hog – "In the Meantime"Godspell – "Day by Day"

Patty Griffin's Lost Album Silver Bell

Back in 2000, Patty Griffin made one of the greatest albums that was never heard... until now. On October 8, 2013, Patty Griffin's Silver Bell was officially released by A&M. Cindy Howes recently got a chance to talk to Silver Bell's percussionist, Billy Beard about his experience recording the album, aftermath and his feelings on the now released version of Silver Bell.Silver Bell was meant to be Patty Griffin’s third album, not the 8th as it ended up being. The band was put together just months after Patty’s second album, Flaming Red. “We toured well over a year behind [Flaming Red], and then all went into King’s Way in New Orleans to make Silver Bell. We were there for almost 3 months. The band was firing on all cylinders and we had free reign to do what we wanted to do and we finished that record. We thought that record would come out and we would be together for quite a while, and it was pretty devastating what happened next.”The album wasn’t released. A merger at A&M and Interscope during recording resulted in an unfortunate and unexpected out lash against Patty. “At the head of that was Jimmy Iovine. That all happened as we were recording, so when we turned the record in, Jimmy basically said he’d never been a fan of hers, didn’t like anything she’d ever done, and he wasn’t going to put this record out.” The band was devastated, and didn’t know for months what the fate of the album would be. Eventually, Patty moved to ATO Records, the label founded by Dave Matthews.Two bootleg versions of Silver Bell surfaced after Silver Bell wasn’t released. One was a rough mix from early in the process, and the other was a mix closer to the final version that Billy Beard didn’t care for. The mix on the album released this year was done by Glyn Johns, as encouraged by Robert Plant, and Beard thinks this version is much better.Silver Bell is out now (finally!) on A&M Records. 

Tribute to Van Morrison's Moondance

 Van Morrison’s third solo album, Moondance was released in 1974 and has remained one of the most loved albums of all time. Morrison, 24 at the time, was able to create a master of an album that combined  R&B, folk rock, country rock, and also jazz so smoothly. Much to Van Morrison’s disapproval, Moondance was reissued as a deluxe edition five-CD box set – with 50 songs including studio outtakes, unheard mixes and unreleased tracks. Despite Van’s issues with this, it is a huge score for fans. Local singer and Irish-born singer, Mark Dignam, talked more about the greatness of Moondance with Morning Mix host, Cindy Howes.Mark’s experience with Van Morrison might be described as religious. That's fair, considering the music was a major landmark for Irish musicians and culture. “Here’s the future of Irish rock. As Irish musicians starting out, it was almost a sense of Van came down of the mountain with these two tablets of musical commandments.” The two tablets Mark mentions are, of course, Van Morrison’s albums Astral Weeks and Moondance.Originally released in 1970 and recorded in New York City, Moondance was a huge hit. The music isn't just rock with an Irish man singing. It’s a carefully crafted blend of everything Van Morrison enjoys. “This is what makes him a master, this is what makes all of them masters. You can take your influences and plaster them very, very strongly on your record, and then it becomes a gospel album, a folk album, a country album. With this album he took a little bit of everything… Nothing is out of balance.” Morrison is ranked up there with the greatest of Irish poets, William Butler Yeats, and Yeats must certainly have inspired Van Morrison. “I can see the influences. When anyone takes a stab at American music and holds on to the Irish roots. He’s got that mystical Yeatsian thing going on on one hand, and also this up-tempo horns and pianos whacking away. There’s a sense of mysticism and of reverence in Astral Weeks particularly, and Moondance becomes a bit more of a party album after that. I think that’s very much representative of the Irish approach to music.” The Irish aspect of music is very much a social thing, says Mark Dignam. “The tradition in Ireland in a lot of ways was all about sitting around and passing around songs.” Invariably, he says, Moondance will be played by someone. Van Morrison himself takes part in this tradition, and Mark even has friends that have met Van Morrison this way. “I know people that have sat down with him and have been quite intimidated by the experience.” Dignam’s friend Glen Hansard has had a harrowing story about Van Morrison dragging him into a room and demanding that up-and-coming Hansard play him some original songs. Listen to the audio for the whole story. Warner Brother’s reissue of Van Morrison’s Moondance has caused some controversy in the Morrison camp, but as Mark Dignam says, “I’m surprised, to be honest, that Van Morrison doesn’t get the idea of when you finish your art, you become a product. Or at least your art becomes a product.” The product is definitely a great piece of art that anyone should enjoy. “I mean, they’re wrapping the thing in linen. You know, who’s not gonna be happy at the end of the day? It’ll pass, and he’ll get over it. He’ll survive, I think.” Listen to the segment below and also check out Mark Dignam's cover of "Into the Mystic" recorded live at WYEP.

Remembering Elliott Smith

On the 10th anniversary of his death, Joey Spehar of The Morning Mix and Andy Cook of The Block Party discuss the life, music, and legacy of Elliott Smith.In the beginning, there was nothing. Then, Elliott Smith’s mother gave birth to him, and within 6 months, his parents split. He and his mother moved to Texas, which he hated. At 14, Elliott decided to move up to Portland, Oregon to live with his father. He got a tattoo of the state of Texas on his arm, not out of support for the state, but to remind himself how far he had come from the place he hated.In 1994 he released his first solo album, Roman Candle. “You can tell it’s not a fully realized or developed release,” Andy says. The album was really just a collection of 8songs that his girlfriend at the time had suggested he send to Cavity Search Records as a demo. “Pretty quickly, at least in the Portland area, quite a bit of buzz came about around this release, even more buzz than there was around his band Heatmiser.” Heatmiser would break up pretty quickly after then, but Elliott Smith continued to put out new music.Musically, Smith’s style differed from what was popular at the time in Portland. You could find the grungy guitar scene everywhere, but Smith played music inspired by the Beatles and the Zombies. Half of his audience at any time would be enjoying it and the other half would just say, “this isn’t what we do here.”In 1998, Elliott Smith got an awesome break that he didn’t seem to fully appreciate. He was asked to compose a song for the film Good Will Hunting, and to contribute a couple songs from his catalogue to the soundtrack. He eventually was nominated for the Oscar for Best Original Song, but he was beat out by Celine Dion for "My Heart Will Go On". Despite that, he performed at the ceremony in a white suit with greasy, moppy hair. This was the first time many people ever saw him.Drugs became a huge part of his life in the early 2000s while he was on tour for Figure 8. When he got back and tried to play music, it was evident that he wasn’t well. He didn’t look good, and he could hardly play guitar at times. His friend Jon Brion confronted him about his problem, and Smith totally scrapped the album they were working on. Smith severed their friendship, and continued to smoke an alleged $1,500 worth of herion and crack a day.On October 21st, 2003, Smith died from two stab wounds to the chest. The autopsy was inconclusive as to whether the wounds were self inflicted or if it was in fact a homicide. It’s a mystery that will continue to baffle fans of his for generations. “It’s happy to think about his music and all the joy it brought me and still does to this day, but in another way it’s horribly sad. It’s another rock and roll chichè of someone that just couldn’t handle life. It’s unfortunate, but that music that he did record, it’s stuff I go back to constantly,” concludes Andy.

Glen Phillips of Toad The Wet Sprocket on The Morning Mix

Cindy had a chance to talk to Glen Phillips, the frontman for Toad the Wet Sprocket, who just released their first album in 16 years. The album is called New Constellation and it’s out now.Cindy wanted to know if they had always planned on releasing another album at some point, despite their breakup in 1998. “I thought we’d do another album if we could, if it could be good enough, if we could be enough of a band. There were a lot of years where we’d get back together and play a handful of shows and it felt like that was all we were capable of. There wasn’t enough unity and we were having the old arguments. You can’t make good albums if everyone’s walking on eggshells.” The new album is great, so they must have been walking on something harder than eggshells. Maybe it’s the mountain of cold hard cash they raised through kickstarter to fund the album.Toad joined the growing trend in music that has artists crowdfunding their albums and tours. Going 529% over their goal of $50,000, Toad the Wet Sprocket was only planning on raising enough to cover the cost of studio time. “We set our goal at what we thought was a reasonable minimum that we thought would basically cover recording expenses. We got where we hoped to get, actually, so we were excited.” Five people even donated $1,500 to the cause, so you know Toad has a dedicated fan base. “We were extremely happy with the response. It was great.”A song from the new album that Cindy wanted to know more about is “Enough”. Glen had an interesting story behind the song, which wasn’t even written for Toad! “I wrote it with a guy named John Taylor, but not the John Taylor from Duran Duran. We actually wrote it for his band in an initial version that had less of the riff and everything. But I love the song and I had been playing it live and it was kind of late in the Toad project that I brought that song in because we were missing that particular emotional arc. We had a lot of pop songs but not a lot of ‘ripping your heart out of your chest and holding it out in front of everybody songs.’” Apparently his mom likes it too, since he quotes Rabbi Tarfon’s line "The day is short, the labor vast, the toilers idle, the reward great, and the Master of the house is insistent." “Anytime I rip off rabbis my mom is happy,” Phillips says. On the subject of their early success, Glen says that he was surprised by being noticed so young. “We were not a typical rock band. I think the reason that our audience has stuck with us is that even at the time, we were authentically awkward.” While nerddom now is praised by mostly everyone, back then people reacted differently. “We were kind of a band of nerds before nerds were cool and before nerds ran the world. Now its cool to be a nerd, back then it was hard… We were all a little shocked when we got signed, we were all a little shocked when our music got played on the radio." Toad the Wet Sprocket’s new album is called New Constellation, and it came out October 15th. 

Josiah Johnson from The Head and The Heart on The Morning Mix

Cindy Howes got a chance to talk to Josiah Johnson from The Head and the Heart about their new album, Let’s Be Still.Let’s Be Still marks a slight departure from their first record by rocking harder and being a bit more pop. “Last time when we were recording it, the idea was to get this demo done so we could give it to venues around Seattle to so that we could play shows,” Josiah said. “We ended up being really happy with the songs, but never expected it to have the reach that it did. So this record sounds a lot more like the music that we listen to.”Band member Charity Rose is featured a bit more prominently on this record. She has really fleshed out her voice and her songwriting ability. “She wasn’t considered a songwriter [for the first album] just because she hadn’t offered that as a thing. Then she kind of came into her own singing those parts, and everyone was blown away, and audiences obviously are really drawn to her on stage.” Audiences demanded more from her, and John and Josiah had nothing against her writing material for the band. “We’d say ‘We would love it if she wrote some songs, and if they’re good we’ll put them on the album.’ And so I think she stepped up to that and wrote a couple great songs.”Many of the songs were written in acoustic fashion while The Head and the Heart were on tour. Cindy asked if there was a difference between how they wrote the songs while at home versus how they wrote on the road. “It’s really difficult to insulate your brain enough to have the quiet you need to get at to do songwriting,” Josiah admitted. “I have a really hard time writing while touring. I think John writes while touring because he’s never really adapted to being on the road. I don’t think this is entirely true, but I feel like he, out of everyone in the band, would rather tour half as much as we do and just be at home writing.”The band met through open mics in Seattle. They sometimes go to open mics to try out new songs sometimes. They don’t go every week like they used to, but still every once in a while.The new album is called Let’s Be Still, and it’s available now. Definitely check it out.

Tribute to Velvet Underground singer, Nico

On October 16, 1938, Velvet Underground singer, model, actor and member of the Warhol Superstars, Nico was born in Germany. Nico’s trademark deep voice, exquisite style and somewhat troubling attitude made her one of the most interesting figures in rock and roll. On what would have been her 75th birthday, we have Ben Harrison, Curator of Performing Arts at The Andy Warhol Museum, and also Matt Wrbican, Chief Archivist at The Warhol in to talk about the life and legacy of Nico.Nico was born in Germany in 1938, and by the time she was 17 had moved to Paris to continue her modeling career. She worked briefly for Coco Chanel, but abandoned the job to move to New York City.Modeling wasn’t Nico’s only successful job though. By 1965 she had recorded a cover of Bob Dylan’s “I’ll Keep It With Mine” as well as her first single “I’m Not Sayin’”. Soon after, she met Andy Warhol, who was putting together the Velvet Underground. Warhol suggested that the band take on Nico as a “chanteuse”, and albeit reluctantly, they accepted her. The band became a centerpiece of Warhol’s Exploding Plastic Inevitable.Lou Reed and Nico had a short physical relationship, which Nico ended. This did not help her relationship with the band, which considered her an “interloper”. After her tenure in the Velvet Underground was up, she had mentioned to Warhol in several letters a desire to make another record.Nico released her first solo album, Chelsea Girl, in 1967. Her 1969 album, The Marble Index, contained more original songwriting as a result of Jim Morrison’s coaching in California. She would continue writing her own music for her later albums as well.Nico died on the island Ibeza in 1988. She was riding her bicycle and suffered a heart attack, and then a concussion from falling. A local taxi driver found her, but could not get her admitted to a hospital because she had no insurance. Eventually, she was incorrectly diagnosed with having heat exposure, but x-rays later revealed her actual cause of death to be cerebral hemorrhaging.Nico and the Velvet Underground have had a huge influence on the world of music. Brian Eno even said that despite their lack of success for their first albums, “everyone who bought one of those 30,000 copies started a band.”

Paul Simon Birthday Set with Andy Mulkerin

One of America’s most treasured songwriters, Paul Simon, influence, and commercial success began as part of the duo Simon & Garfunkel, formed in 1964 with Art Garfunkel. After disbanding in 1970, Simon embarked on a solo career, releasing many excellent albums like 1986’s Graceland and his most recent album, So Beautiful or So What in 2011. On the occasion of Paul Simon's birthday and the release of Paul Simon’s Complete Albums Collection, Andy Mulkerin of City Paper shares some of Simon’s best songs.“Happy Paul Simon Day!” says Andy Mulkerin. “Obviously, he’s a great lyrical songwriter, but I think what’s really interesting about him is that he sort of sums up late 20th century America. It’s kind of all of the good and bad there in him.”  Paul Simon has covered many different genres, including blues, folk, and African music, and his work is legendary with Simon and Garfunkel. “He really is a character.”The first song Andy Mulkerin picked for his guest DJ set is "Kodachrome", one of Simon’s best known solo songs. The song comes from his solo album, There Goes Rhymin’ Simon. Named for Kodak 35mm film, the song saw great success in America, but was less successful abroad due to the trademarked name.The next song in Mulkerin’s Paul Simon setlist was "Armistice Day". “It’s one of his most beautiful songs, it’s from his first solo album, his self titled album with him in a parka on the front lookin’ cold. It’s an amazing record. That wasn’t one necessarily of the hits from it, but it’s a beautiful song. It’s got that bluesy downtuned guitar in it, then it turns into this sort of funky ditty towards the end. It’s almost like a suite, its got a couple different things going on, but it’s not structured like a pop song.” Cindy agreed, saying, “He’s an artist who, over the course of his career, definitely has evolved his sound in very interesting ways. I think that that album sort of broke him into an artist that you really want to keep an eye on as far as diversifying his sound.”The final song of Andy’s set is "The Sound of Silence", the song that catapulted Simon and Garfunkel to popularity in the mid 60s. “There are a few reasons I picked this particular song, and this particular version. One is that I’ve always loved every version of this song that wasn’t the single version of this song, because it’s sort of a legendary story that all the electric guitars and the rhythm section and everything that’s on the single version was tacked on without Simon and Garfunkel’s knowledge and it got released as a single while they were in Europe, and they had no idea. Every other version of this song ever is really beautiful.” The other reason Andy picked it was a bit more emotional. “This version makes me think of a couple years ago. He sang this song solo on September 11th of 2011 for the 10th anniversary of the September 11th attacks, and if you watched that and kept two dry eyes you’re some kind of monster.”Andy Mulkerin's Setlist:Paul Simon - KodachromePaul Simon - Armistice DayPaul Simon - The Sound of Silence

The Voice of NPR, Frank Tavares, Guest DJs on The Morning Mix

Frank Tavares is the most heard voice on NPR. You hear him a dozen times a day reading the NPR funding credits. So, you definitely know his voice, but what you might not know about Frank Tavares is that he wrote a book of short stories! The Man Who Built Boxes, a collection of short stories, came out this summer. Frank was tasked with the job of creating a set of songs that tell stories, in celebration of his book.“A couple songs came immediately to mind, actually one artist came to mind, Harry Chapin.” The first track that Frank picked was Chapin’s "Taxi". “A number of the songs he did really had that story feel to them, even though they’re mostly bummers.” The story of "Taxi" is one of reflection. “Here’s a fellow who’s a cab driver. He picks up a fare. They recognize each other. He realizes it's someone from his past life, she recognizes him, and it raises all of these things about what might have happened and where they are now, and how you move forward,” Frank said.The second song that Tavares picked was Meatloaf’s “Paradise By The Dashboard Light”. This one tells a story of one evening where a boy and a girl are on a date. “But one of the things that always kind of tickled me about that song is there’s a cameo appearance by another very famous voice, a sports caster named Phil Rizzuto…I remember thinking ‘Whoa, someday I’d like to do a cameo like that in a song!’”In fact, the L.A. band, Capital Cities invited Frank to use his “NPR voice” in a song called "Farrah Fawcett Hair", which was an ode to cool things. “The idea behind it, when they approached me last spring, they said they wanted to do this song that talked about the coolest things they could think of. So the refrain is about “cool stuff”, and in the NPR voice I just listed what they suggested as some of the coolest things around.” The song cusses quite a bit, so Cindy couldn’t play the whole song, but you can listen to it here.The last song of Frank’s set is a Beatles tune. “I remember exactly where I was when I first heard that song.” "Eleanor Rigby" was Frank’s pick, which is another song, like "Taxi", that isn’t the most cheerful of songs, or “a bummer”, as Frank says. “There's something else about these songs, is that for many of us, and this is how I feel, I listen to the song and listen to the heaviness that comes with it, and then at the end of it, I shrug it off, take a deep breath, and move forward.” Cindy agreed, saying, “Yeah, you can’t let that swallow you for the rest of the day.”Frank is really the most heard voice in the history of public radio, which is a scary thought, Tavares says. “It really set me back at first, but then I thought about it and then I said, ‘Well that’s pretty cool!’”Frank has been writing professionally his whole life, but only within the last 15 years did he begin to write fiction, “Because it’s just so much fun to write!”  Upon hearing several of his friends suggest that he collect his short stories into one place, he decided that it was a good idea. “I thought, quite honestly, that this should be quite easy. All of them have been written, most of them have been published, how hard could it be? And so when I first started talking with the publisher, I was amazed at how many decisions had to be made from day one.” It did have a side benefit, Tavares said, and that was that he could take what he learned about the publishing process and bring it back into the classroom, where he teaches business communication.Cindy asked Frank where he got his inspiration for writing. “It’s strange where these little seeds come from, and most writers that you talk to, and that Ive talked to, have had the same experiences. Some of them, I wouldn’t call them mystical. The short answer is sometimes I just don’t know, but other times I do.” Some inspiration came from Tavares’ trip to Italy, where he saw old decrepit buildings and villages. Another piece of inspiration came from a near traffic accident that Tavares witnessed. No one was hurt, but he was a bit shaken. “And then other things, you get ideas from segments of conversation that you hear, and yeah aspects of yourself appear in some of the characters, but all the characters are composites of different people and strangers.” One of the most difficult things for Frank was naming his characters, and he found that he had to rename some of the characters when it came time to publish the collection.Cindy wondered if Frank was ever recognized in public, and he had an interesting story to share. “Every once in a while, somebody will look at me, we’ll be talking, or I’ll be talking and they’re close by. Sometimes they start with ‘you look familiar”, which is just because the audio cue crosses synapses with the visuals, or they’ll say, ‘you sound familiar.’ Well the first thing I ask is, ‘Well are you an NPR listener?’ And depending on how they answer I may give up the secret!’ laughed Frank. ‘If they say they listen to NPR all the time, so I’ll look around to see who’s standing, because sometimes this can be embarrassing, and then I’ll just lean towards them and say, ‘support for NPR comes from this, and other…’ Cindy, after all these years, its amazing to see how they react to that.”Frank is hoping to have a new novel out next year. His collection of short stories is called The Man Who Built Boxes.Frank Tavares DJ Set:Harry Chapin – TaxiMeatloaf – Paradise By The Dashboard LightCapital Cities – Ferah Fawcett HairThe Beatles – Eleanor Rigby

Bela Fleck Guest DJs on the Morning Mix

Modern master of the banjo, Bèla Fleck, who has played in New Grass Revival and Bela Fleck and the Flecktones joined Cindy Howes on the Morning Mix for a guest DJ set! While Fleck was on tour with the NY Banjo Summit, featuring the finest banjo players in New York State (Bill Keith, Eric Weissberg, Noam Pickelny, Richie Stearns, Tony Trischka, and others), he shared some of his favorite banjo songs.Fleck’s first song is by Earl Scruggs, the father of modern banjo playing. Bèla first heard Scruggs when he was 4 or 5 and Scruggs was featured in the theme to "The Beverly Hillbillies". Fleck says that 3 finger Banjo players on the tour idolize him, and “When you listen to "Foggy Mountain Breakdown" you hear this incredible intensity, this modern kind of computer perfection, and yet you hear this funky quality, this sort of high tech primitive quality.”The next big piece of inspiration came when Bela Fleck heard Eric Weissberg perform the "Deliverance" theme. “It became a number one pop hit internationally, and opened the doors to the banjos next big days.” Cindy posed that this might be the most influential banjo song of all time. “I do think so. It was something that really shook people up. It could be a pop hit for people that had no interest in banjo whatsoever… It had a lot of impact,” Fleck agreed. The last song is one by Abigail Washburn. “When I first heard her music, she gave me her cd, and I started driving my car home from wherever it was. And I started driving my car faster and faster the more I listened to it. Next thing you know I got pulled over and was walking the line.” Abby plays banjo in the clawhammer  style, and Bela Fleck says she has a very elegant way of writing songs and a very beautiful voice.The idea for Bela Fleck’s New York Banjo Summit came from Peter Lester, who runs The Egg in Albany. He realized there were so many influential banjo players in New York that had contributed to the modernization of the banjo. This is the third tour the group has done.“Where I start with the history of the banjo is thinking about it comes from Africa, and it came over to the America’s with the slaves, in the slave trade. Now, Pete Seeger tells me that before Africa, it started in the Tigris and Euphrates river and worked down through the trade routes into Africa, which I always though was ironic, that America’s instrument came from Iraq.” Fleck said. “The banjo has just continually changed and evolved through the years, even physically, from being a skinhead on a gourd with a stick sticking out of it and a couple gut strings, to these very high tech, beautiful mother of pearl instruments we have now.”“Now I want to know, how many banjos do you own?” Cindy asked. “If I knew that, I would tell you. But I can tell you that I have a couple double sized closets full of them. I don’t go around counting them very often, because I might be embarrassed.” He later admitted that the count might be around 40. The banjo that Bela Fleck played with for this tour is from 1937, it’s a Gibson Style 75, called that because it cost $75. Now it would be worth $100,000. “Has anyone ever done an MTV cribs with you, so people can see your closets of banjos?” Cindy joked.Bela Fleck and Abigail Washburn have a baby named Juno Jasper Washburn Fleck and he likes the banjo too! “Last night he was sick and he was crying, and I got out this little bitty ukulele banjo and he just stops. Stops crying, starts listening, and he just lights up. We had to feed him this little medicine, and every time he finished the medicine, he’d start crying, and I’d start playing and he’d stop…I don’t know if that’s normal, but of course we think we have the most amazing baby in the world.” Fleck makes up songs for his baby, nicknamed Smoogie, off the top of the head. “It cheers him up!” Fleck said.Bèla Fleck's Guest DJ Set:Earl Scruggs - Foggy Mountain BreakdownEric Weissberg - Dualing BanjosAbigail Washburn - City of Refuge

Interview with Matt Pryor

Matt Pryor is back! After quitting music several years ago, he makes his triumphant return. Joey Spehar interviewed him to get the scoop.“I did a resume for the first time in my life, which sounds kind of ludicrous, but I didn’t want to do music anymore.” Even though Matt has been running his own business the last 20 years in the form of his musical projects, on a resume it doesn’t look like he’s had a job for two decades. That’s when he realized he didn’t want to quit music, and now he has some new projects.The new EP with James Dewees came out yesterday, and Pryor has a solo album coming out in November. “Failing You” sounds like the best part of the Get Up Kids,” said Joey. Matt said that this was his intention, and that he think’s it sounds like Reggie (and the Full Effect) and himself singing from 1998. “The A side of the 7 inch is a very synth riff, kind of. It’s very Reggie-esque in a way.”“James sent me these songs, and I said, “I’m just gonna scream on them. It’s a rock record.” Where past albums have been folky, country, or singer/songwriter heavy, this one is more rock. “I’m very happy with it. It’s very cathartic,” Pryor says.New EP with James Dewees is out now, and Wrist Slitter will be out in November. Matt Pryor will be playing at Mr. Small’s this December. “I love playing there because it has a kitchen backstage and I can cook dinner for the entire crew. I’ve done that the last 3 or 4 times I’ve been there.”

Alastair Moock Guest DJ Set

In July of 2012, Alastair Moock learned that one of his five-year-old twin daughters, Clio, had leukemia. Alastair and Clio sang and wrote together while she was in the hospital, and over the next year Alastair continued to write and collect songs. With the help of an amazing fundraising campaign, those songs came together in an album called Singing Our Way Through: Songs for the World's Bravest Kids. Now Alastair is bringing that album — and live performances — to hospitals, clinics, and camps around the country.Moock joined Joey Spehar of The Morning Mix for a kid-friendly Guest DJ set.  Here's what he played:The Dixie Hummingbirds - Rasslin' JacobTim Gearan - Fickle BettySyreeta - Harmour LoveCheck out the video for Alastair Moock's song "When I Get Bald".

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